Lastly, after arguing that the harm-fulness of yaoi/BL is very much open to debate, the article concludes by casting doubt on the desirability of restricting the circulation of yaoi/BL material. It then goes on to examine the distinctive features of the yaoi/BL genre and its value as a form of speech, particularly in light of the fundamental questions it raises in relation to our self-conception as sexual beings.
After identifying the reasons for the social and legal acceptability of yaoi/BL in Japan, the article discusses its vulnerability to censorship in Australia and Canada. Often these works depict homoerotic relationships involving underage people, and as such they are liable to being censored on the basis of legal provisions restricting the circulation and consumption of `child pornography' as defined in some western countries. The subject matter of yaoi/BL works is romantic and sexual relationships between males. This article discusses a genre of Japanese cartoons and comics known as yaoi or BL (`Boys Love') and produced by female artists for essentially female audiences.
